"The Dinosaurs" by Jacob Perkins front book cover: four colorful folding chairs in orange, yellow, blue, pink, and red hues on a textured light beige background.

The Dinosaurs

$18.00

The Dinosaurs

$18.00

Ships November 2, 2026

Every week at the same time, in the same place, a group of women share their stories of recovery. As weeks slip into years and decades spin into eternity, the women keep coming back amidst an ever-shifting, unfamiliar world. Jacob Perkins’s The Dinosaurs is a piercingly funny, loving ode to the infinite, innately human battle between holding on and letting go.

Premiered February 4, 2026

Originally Produced Off-Broadway by Playwrights Horizons in New York City

Published November 2, 2026

Print Length 152 pages

ISBN 979-8-9981410-2-7

Casting 6 females

"The Dinosaurs" by Jacob Perkins front book cover: four colorful folding chairs in orange, yellow, blue, pink, and red hues on a textured light beige background.

Praise for The Dinosaurs

Jacob Perkins’s carved-ivory play is exquisitely rendered on its own terms, and executes its purpose in a swift 70 minutes, when I felt as if I could happily have sat there with these women for a few more hours.

— Jackson McHenry

"★★★★ Elegantly elliptical and tender, The Dinosaurs’s characters are crisply individualized, and through their congregation, mutable yet constant, the play demonstrates the healing power of other people’s stories.” 

— ADAM FELDMAN

“Jacob Perkins sees recovery meetings as useful models of acceptance and coexistence in a riven society, with people given the vital space to speak honestly and the latitude to mess up without being banished for it.”

— LAURA COLLINS-HUGHES

"You could hear a pin drop. Time hovers around The Dinosaurs as a sleight of hand and when time is up, the stories simply stop being told; they don't end. There lingers an ache for more time."

— CAROLINE CAO

"The Dinosaurs is a stealth piece of writing, a brief (yet surprisingly detailed) play that quietly exerts a grip that won't be denied. A miniature that contains multitudes, this play demands and deserves one's close attention."

— DAVID BARBOUR

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